Yoga Chitta Niroga

YOG

Yoga (Sanskrit: योग) is a group of ancient spiritual practices originating in India for the purpose of cultivating a steady mind. A practitioner of Yoga is called a Yogi or Yogini.

Yoga has been defined as "technologies or disciplines of asceticism and meditation which are thought to lead to spiritual experiences and a profound understanding or insight into the nature of existence." Outside India, yoga is mostly associated with the practice of asanas (postures) of Hatha Yoga or as a form of exercise.

Many Hindu texts discuss aspects of yoga, including the Upanishads, the Bhagavad Gita, the Yoga Sutras of Patanjali, the Hatha Yoga Pradipika, and the Shiva Samhita.

Major branches of yoga include: Hatha Yoga, Karma Yoga, Jnana Yoga, Bhakti Yoga, and Raja Yoga. Raja Yoga, established by the Yoga Sutras of Patanjali, and known simply as yoga in the context of Hindu philosophy, is one of the six orthodox (astika) schools of thought.

The Sanskrit term yoga has many meanings. It is derived from the Sanskrit root yuj, "to control", "to yoke", or "to unite". Common meanings include "joining" or "uniting", and related ideas such as "union" and "conjunction". Another conceptual definition is that of "mode, manner, means" or "expedient, means in general".

History of Yoga

Several seals discovered at Indus Valley Civilization (c. 3300–1700 BC) sites depict figures in a yoga- or meditation-like posture, "a form of ritual discipline, suggesting a precursor of yoga." Archaeologist Gregory Possehl points to 16 specific "yogi glyptics" in the corpus of Mature Harappan artifacts as pointing to Harappan devotion to "ritual discipline and concentration." These images show that the yoga pose "may have been used by deities and humans alike."
The most widely known of these images was named the "Pashupati seal" by its discoverer, John Marshall, who believed that it represented a "proto-Shiva" figure. Many modern authorities discount the idea that this "Pashupati" (Lord of Animals, Sanskrit paśupati) represents a Shiva or Rudra figure. Gavin Flood characterizes the Shiva or Rudra view as "speculative", and goes on to say that it is not clear from the 'Pashupati' seal that the figure is seated in a yoga posture, or that the shape is intended to represent a human figure. Authorities who support the idea that the 'Pashupati' figure shows a figure in a yoga or meditation posture include Archaeologist Jonathan Mark Kenoyer, current Co-director of the Harappa Archaeological Research Project in Pakistan and Indologist Heinrich Zimmer.

What does Bhagavad Gita says about Yog

The Bhagavad Gita ('Song of the Lord'), uses the term yoga extensively in a variety of senses. Of many possible meanings given to the term in the Gita, most emphasis is given to these three:

Karma yoga: The yoga of action
Bhakti yoga: The yoga of devotion
Jnana yoga: The yoga of knowledge

The influential commentator Madhusudana Sarasvati (b. circa 1490) divided the Gita's eighteen chapters into three sections, each of six chapters. According to his method of division the first six chapters deal with Karma yoga, the middle six deal with Bhakti yoga, and the last six deal with Jnana (knowledge). This interpretation has been adopted by some later commentators and rejected by others.

Yoga Sutras of Patanjali

In Indian philosophy, Yoga is the name of one of the six orthodox philosophical schools. The Yoga philosophical system is closely allied with the Samkhya school. The Yoga school as expounded by Patanjali accepts the Samkhya psychology and metaphysics, but is more theistic than the Samkhya, as evidenced by the addition of a divine entity to the Samkhya's twenty-five elements of reality. The parallels between Yoga and Samkhya were so close that Max Müller says that "the two philosophies were in popular parlance distinguished from each other as Samkhya with and Samkhya without a Lord...." The intimate relationship between Samkhya and Yoga is explained by Heinrich Zimmer.

The sage Patanjali is regarded as the founder of the formal Yoga philosophy. The Yoga Sutras of Patanjali are ascribed to Patanjali, who, as Max Müller explains, may have been "the author or representative of the Yoga-philosophy without being necessarily the author of the Sutras." Indologist Axel Michaels is dismissive of claims that the work was written by Patanjali, characterizing it instead as a collection of fragments and traditions of texts stemming from the second or third century. Gavin Flood cites a wider period of uncertainty for the composition, between 100 BCE and 500 CE.

Patanjali's yoga is known as Raja yoga, which is a system for control of the mind. Patanjali defines the word "yoga" in his second sutra, which is the definitional sutra for his entire work:योग: चित्त-वृत्ति निरोध:

Patanjali's writing also became the basis for a system referred to it as "Ashtanga Yoga" ("Eight-Limbed Yoga"). This eight-limbed concept derived from the 29th Sutra of the 2nd book became a feature of Raja yoga, and is a core characteristic of practically every Raja yoga variation taught today.The Eight Limbs of yoga practice are:

1) Yama (The five "abstentions"): nonviolence, truth, non-covetousness, chastity, and abstain from attachment to possessions.
(2) Niyama (The five "observances"): purity, contentment, austerities, study, and surrender to god
(3) Asana: Literally means "seat", and in Patanjali's Sutras refers to seated positions used for meditation. Later, with the rise of Hatha yoga, asana came to refer to all the "postures"
(4) Pranayama ("Lengthening Prana"): Prana, life force, or vital energy, particularly, the breath, "ayama", to lengthen or extend
(5) Pratyahara ("Abstraction"): Withdrawal of the sense organs from external objects.
(6) Dharana ("Concentration"): Fixing the attention on a single object
(7) Dhyana ("Meditation"): Intense contemplation of the nature of the object of meditation
(8) Samadhi ("Liberation"): merging consciousness with the object of meditation

Goal of Yoga

There are numerous opinions on what the goal of Yoga may be. Goals can range from improving health and fitness, to reaching Moksha.

Within the monist schools of Advaita Vedanta and Shaivism this perfection takes the form of Moksha, which is liberation from all worldly suffering and the cycle of birth and death (Samsara) at which point there is a realisation of identity with the Supreme Brahman. For the bhakti schools of Vaishnavism, bhakti or service to Svayam bhagavan itself is the ultimate goal of the yoga process,[27] wherein perfection culminates in an eternal relationship with Vishnu, Rama or Krsna, depending on the affiliation

योग: चित्त-वृत्ति निरोध:

Krishna's Tula Daan

SHRI KRISHNA’S TULA DAAN

Dear Bhakts it is well know that our Krishna doesn’t accepts any offering which is felled with greediness & he rejects them what ever they cost, We also know that when ever we offer him some thing with love & affection directly from our Heart & soul, He instantly accepts them, Krishna doesn’t looks for the quality or the quantity of offering made to him, What he looks is pure dedication, belief & love all molded in one.

In his childhood, Shri Krishna’s parents Yasoda & Nandbaba determined one day for Shri Krishnas & balrams tuladaan,so that their kids get God’s grace. When Krishna sat on one side of tula (libra) all short of jewels & precious things couldn’t weigh him, then Radha Rani put flower full of pure love & devotion on one side of the tula & here comes the miracle…Krishna’s weight was balanced by just a small flower.

Another time ,when shri Krishna wanted to free Satyabhama from ahankar (pride) he again forced a situation of tula daan on Satyabhama. She was having a pride that she was the only owner of all precious goods in the world ,so she wanted to weigh krishna with all precious things & then Shri Krishna expanded his maya. Nothing could weigh him even when Satyabhama putoff her all jewelleries ,then Rukmini weiged him just by a tulsi leaf……

Tula daan is just a play to ensure all his bhakts that only a leaf or a flower full of pure love & dedication can weigh him, since there is no other Shri Krishna who can match his perfection & can be placed on the other side of the tula to balance the state…

Krishna Murari Maya dhari

THE VEDAS

The Vedas (in Sanskrit वेद,veda,"knowledge") are a large corpus of texts originating in Ancient India written by the Aryan Civilization. They form the oldest layer of Sanskrit literature and the oldest sacred texts of Hinduism.

According to Hindu tradition, the Vedas are apauruseya "not of human agency", being supposed to have been directly revealed, and thus are called sruti ("what is heard"). Vedic mantras are recited at Hindu prayers, religious functions and other auspicious occasions.

The class of "Vedic texts" is aggregated around the four (turiya) canonical Samhitas or Vedas proper, of which three (traya) are related to the performance of yajna (sacrifice) in historical (Iron Age) Vedic religion:

The Rigveda, containing hymns to be recited by the hotr or chief priest;
The Yajurveda, containing formulas to be recited by the adhvaryu or officiating priest;
The Samaveda, containing formulas to be sung by the udgatr or chanting priest.
The fourth is The Atharvaveda, a collection of magical spells and healing or apotropaic charms.

Philosophies and sects that developed in the Indian subcontinent have taken differing positions on the Vedas. Schools of Indian philosophy which cite the Vedas as their scriptural authority are classified as "orthodox" (astika). Other traditions, notably Buddhism and Jainism, though they are (like the vedanta) similarly concerned with liberation did not regard the Vedas as divine ordinances but rather human expositions of the sphere of higher spiritual knowledge, hence not sacrosanct. These groups are referred to as "heterodox" or "non-orthodox" (nastika) schools. In addition to Buddhism and Jainism, Sikhism also does not accept the authority of the Vedas.

Dating/Period

The Vedas are arguably the oldest sacred texts that are still used. Most Indologists agree that an oral tradition existed long before a literary tradition gradually sets in from about the 2nd century BCE. Due to the ephemeral nature of the manuscript material (birch bark or palm leaves), surviving manuscripts rarely surpass an age of a few hundred years. The oldest surviving manuscripts of the Rigveda are dated to the 11th century CE. The Benares Sanskrit University has a manuscript of the mid-14th century.

The Vedic period lasts for about a millennium, spanning the Late Bronze Age and the Iron Age. Gavin Flood sums up mainstream estimates, according to which the Rigveda was compiled from as early as 1500 BCE over a period of several centuries. The Vedic period reaches its peak only after the composition of the mantra texts, with the establishment of the various shakhas all over Northern India which annotated the mantra samhitas with Brahmana discussions of their meaning, and reaches its end in the age of Buddha and Panini and the rise of the Mahajanapadas (archaeologically, Northern Black Polished Ware). Michael Witzel gives a time span of c. 1500 BCE to c. 500-400 BCE. Witzel makes special reference to the Mitanni material of ca. 1400 BCE as the only epigraphic record of Indo-Aryan that may date to the Rigvedic period. However Mitanni Indo-Aryan is linguistically slightly older than the language of the Rigveda, and the comparison thus still does not allow for an absolute dating of any Vedic text. He gives 150 BCE (Patanjali) as a terminus ante quem for all Vedic Sanskrit literature, and 1200 BCE (the early Iron Age) as terminus post quem for the Atharvaveda.

The canonical division of the Vedas is fourfold (turiya)

The Four Vedas

Rig-Veda (RV)
Yajur-Veda (YV, with the main division TS vs. VS)
Sama-Veda (SV)
Atharva-Veda (AV)

Of these, the first three were the principal original division, also called trayi, "the triple Vidya", that is, "the triple sacred science" of reciting hymns (RV), performing sacrifices (YV), and chanting (SV). This triplicity is so introduced in the Brahmanas (ShB, ABr and others), but the Rigveda is the older work of the three from which the other two borrow, next to their own independent Yajus, sorcery and speculative mantras.

Thus, the Mantras are properly of three forms: 1. Ric, which are verses of praise in metre, and intended for loud recitation; 2. Yajus, which are in prose, and intended for recitation in lower voice at sacrifices; 3. Saman, which are in metre, and intended for singing at the Soma ceremonies.

The Yajurveda, Samaveda and Atharvaveda are independent collections of mantras and hymns intended as manuals for the Adhvaryu, Udgatr and Brahman priests respectively.

The Atharvaveda is the fourth Veda. Its status has occasionally been ambiguous, probably due to its use in sorcery and healing. However, it contains very old materials in early Vedic language. Manusmrti, which often speaks of the three Vedas, calling them trayam-brahma-sanātanam, "the triple eternal Veda". The Atharvaveda like the Rigveda, is a collection of original incantations, and other materials borrowing relatively little from the Rigveda. It has no direct relation to the solemn Shrauta sacrifices, except for the fact that the mostly silent Brahmán priest observes the procedures and uses Atharvaveda mantras to 'heal' it when mistakes have been made. Its recitation also produces long life, cures diseases, or effects the ruin of enemies.

Each of the four Vedas consists of the metrical Mantra or Samhita and the prose Brahmana part, giving discussions and directions for the detail of the ceremonies at which the Mantras were to be used and explanations of the legends connected with the Mantras and rituals. Both these portions are termed shruti (which tradition says to have been heard but not composed or written down by men). Each of the four Vedas seems to have passed to numerous Shakhas or schools, giving rise to various recensions of the text. They each have an Index or Anukramani, the principal work of this kind being the general Index or Sarvanukramani.

VEDAS ARE OUR BACKBONE AND WE SHOULD RESPECT THEM

RAMAYANA

The Ramayana (रामायण) is an ancient Sanskrit epic attributed to the Hindu sage (maharishi) Valmiki and an important part of the Hindu canon. It was the original story on which other versions were based such as the Thai Ramakien, the Lao Phra Lak Phra Lam and the Malay Hikayat Seri Rama.

The name Ramayana is a tatpurusha compound of Rama and ayana "going, advancing", translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books, and 500 cantos and tells the story of Rama, whose wife Sita is abducted by the demon (Rakshasa) king of Lanka, Ravana. Thematically, the epic explores themes of human existence and the concept of dharma.

Verses in Ramayana are written in thirty two syllable meter called anustubh and the epic was an important influence on later Sanskrit poetry and Indian life and culture, primarily through its establishment of the sloka meter. But, like its epic cousin the Mahabharata, the Ramayana is not just an ordinary story. It contains the teachings of the very ancient Hindu sages and presents them through allegory in narrative and the interspersion of the philosophical and the devotional. The characters of Rama, Sita, Lakshmana, Bharata, Hanuman and Ravana are all fundamental to the cultural consciousness of India.

One of the most important literary works on ancient India, the Ramayana has had a profound impact on art and culture in the Indian subcontinent and Southeast Asia. The story of Rama has inspired great amounts of latter-day literature in various languages, notable among which are the works of the fifteenth century Bengali poet Krittibas Ojha, known as the Krittivasi Ramayan; the sixteenth century Hindi poet Tulsidas, Tamil poet Kambar of the 13th century, Molla ramayanam in Telugu and the 14th century Kannada poet Narahari Kavi`s Torave Ramayan. The Ramayana became popular in Southeast Asia during the 8th century and was represented in literature, temple architecture, dance and theater.

Dating/period of Ramayana

According to literary scholarship, the main body of the Ramayana first appeared as an oral composition somewhere between 750 to 500 BC. Cultural evidence (the presence of sati in the Mahabharata but not in the main body of the Ramayana) suggests that the Ramayana predates the Mahabharata Traditionally the epic belongs to the Treta Yuga, one of the four eons (yuga) of Hindu chronology, and is dated as far back as 880,000 years in the past. Rama is said to have been born in the Treta Yuga to King Dasaratha in ikshuaku vansh (clan).

Structure of Valmiki's Ramayana

Valmiki's Ramayana, the oldest version of Ramayana is the basis of all the various versions of the Ramayana that are relevant in the various cultures. The text survives in numerous complete and partial manuscripts, the oldest surviving of which is dated from the eleventh century AD. The current text of Valmiki Ramayana has come down to us in two regional versions from the north and the south of India. Valmiki Ramayana has been traditionally divided into seven books, dealing with the life of Rama from his birth to his death.

seven books are as follows:
Bala Kanda – Book of the Childhood
Ayodhya Kanda – Book of Ayodhya
Aranya Kanda – Book of the Forest
Kishkindha Kanda – Book of Kishkindha
Sundara Kanda – Book of Auspiciousness
Yuddha Kanda – Book of the War
Uttara Kanda – Book of the North

There have been speculations on whether the first and the last chapters of Valmiki's Ramayan were written by the original author. Many experts are of the opinion that they are integral parts of the book in spite of the many differences in style and some contradictions in content between these two chapters and the rest of the book. These two chapters contain most of the interpolations found in the Ramayana, such as the miraculous birth of Rama and his divine nature as well as the numerous legends surrounding Ravana.It is also inferred that the story of Rama's beheading shudra Shambuka as well as the one relating to Shravana kumara were not written by Valmiki.

Characters in Ramayana

Rama is the hero of this epic tale. He is portrayed as an incarnation of the god Vishnu. He is the eldest and the favorite son of the King of Ayodhya,Dasharatha. He is a popular prince loved by one and all. He is the epitome of virtue. Dasaratha, forced by one of his wives Kaikeyi commands Rama to relinquish his right to the throne for fourteen years and go into exile by his father. While in exile, Rama kills the demon king Ravana using an arrow.
Sita is the beloved wife of Rama and the daughter of king Janaka. Sita is also known as Janaki. She is the incarnation of Goddess Laxmi (Lord Vishnu's wife). Sita is the epitome of womanly purity and virtue. She follows her husband into exile and there gets abducted by Ravana. She is imprisoned in the island of Lanka by Ravan. Rama rescues her by defeating the demon king Ravana.
Hanuman is a vanara belonging to the kingdom of Kishkindha. He is portrayed as an incarnation of Lord Shiva. He worships Rama and helps find Sita by going to the kingdom of Lanka crossing the great ocean.
Lakshmana, the younger brother of Rama, who chose to go into exile with him. He spends his time protecting Sita and Rama. He is deceived by the demon Marichi into believing that Rama was in trouble while Sita is abducted by Ravana.
Ravana, a rakshasa, is the king of Lanka. He received a boon from Brahma that he cannot be killed by either gods, demons or by spirits, after performing a severe penance for ten thousand years. He has ten heads and twenty arms, the former of which he began to cut off and throw into the sacrificial fire until Lord Brahma appeared to him. After getting his reward from Brahma, Ravana begins to lay waste the earth and disturbs the deeds of good Rishis. Vishnu incarnates as the human Rama to defeat him, thus circumventing the boon given by Brahma.
Dasharatha is the king of Ayodhya and the father of Rama. He has three queens, Kousalya, Sumitra and Kaikeyi, and three other sons; Bharata, Lakshmana and Shatrughna. Kaikeyi, Dasharatha's favourite queen forces him to make his son Bharata heir apparent and send Rama into exile. Dashratha dies heartbroken after Rama goes into exile.
Bharata is the second son of Dasharatha. When he learns that his mother Kaikeyi had forced Rama into exile and caused Dasharatha to die broken hearted, he storms out of the palace and goes in search of Rama. When Rama refuses to return from his exile to assume the throne, Bharata obtains Rama's sandals(Paduka) and places them on the throne as a gesture that Rama is the true king. Bharata then rules Ayodhya as a representative of Rama for the next fourteen years.
Vishvamitra is the sage who takes Rama into the forest in order to defeat the demons destroying his Yagna ceremonies. On the way back he takes Rama into Mithila where Rama and Sita meet each other for the first time and Rama participates in her swayamvara.

DHANYA HAI RAM AUR DHANYA HAI RAMAYAN

Prabhu Bhakti maay Leen Raahay aasa maan doo hai Ishwar,Desh Dharam ki sewa maay arpan hoo yaa mera taan maan

GYAN MARG

3 Paths to the Final Truth (Gyan, bhakti, Karma)

It is said the that there are 3 paths to the final truth and one can choose to pick any. The three paths are commonly defined as:

Gyan Marg (The highest level)
Bhakti (Devotion towards God)
Karma (Work)

Gyan Marg: The path of knowledge, in the Gyan marg a person realises his true self through knowledge and truth. This is said to be the most difficult of all as it is filled with hurdles and one needs the right Guru (The Enlightened one) who can guide him through this maze, from darkness to light.
Bhakti Marg: The path of Devotion, it is a path where one renounces everything and leaves everything to God. It is the easiest path and one needs to have faith in god to be able to walk this path. Faith is the driving factor, if one loses it his bhakti is over.
Karma Marg: The path of hard work, the journey in this path revolves around the work one does, his karma. A person is known by the kind of karma he does and with the right karma he attains the eternal bliss.

As per the common belief that one should choose any path, here to say that its only a mix of all these paths that can lead one to the final truth that is himself. As without Gyan you would never know the final truth, without devotion you will not be able to enjoy it, and with out karma you will not be able to achieve it.

Krishna Bal Leela

Lord Krishna is one of the most loved and adored Gods of Hindu religion. The foremost reason of the glorification and reverence of Bhagwan Krishna is his Bal Leela. Bal Leela depicts various episodes between the period of his birth till the age of ten. Lord Krishna right from the time of his birth displayed the signs of his divine being.

Episode of Killing of Demoness Putana

According to legend, King Kansa wanted to kill Krishna as it was predicted that he would grow up to kill the King. So Demoness Putana went about killing all the male infants in Mathura and other neighboring towns in the move to kill the new born Lord Krishna. She took the form of a beautiful woman and smeared her breast with poison. While roaming from one town to another, she reached Nand baba's house, and saw Bal Krishna lying in the cradle. She then fled with the child and fed Lord Krishna her milk in the vain hope of killing him. Lord Krishna kept smiling and drinking the milk and after a while Putana shrieked with pain. It is said that while sucking the milk, Lord Krishna sucked her life thus killing her.

Episode of Overturning the Cart by Lord Krishna

As per a folklore, during one of the birth ceremonies of Lord Krishna, Mata Yashoda kept fast asleep Krishna under a cart full of milk . Lord Krishna started crying for milk after getting up, but Mata Yashoda didn't hear his cries so Lord Krishna kicked the cart with his feet and overturned it. The pots were shattered and milk started flowing into his mouth. When the story of overturned cart was narrated to Mata Yashoda, she could not believe it.

Episode of Displaying the Cosmos to Mother Yashoda

Legend has it that one day Mata Yashoda was cuddling Lord Krishna and playing with him. The child lying on his mother's lap yawned and opened his mouth. Mata Yashoda saw the whole universe in his mouth, the sun, the moon and all the stars, the sky, mountains, rivers, islands, oceans, all the continents, all living as well as non living beings.

Episode of Killing of Demon Trinivarta

It is believed that King Kansa sent one of his loyal servant, Demon Trinivarta to kill Lord Krishna. The demon took the form of a whirlwind and carried the child away. As soon as the demon reached the sky, he found it difficult to proceed further on account of the heaviness of the child. Unable to bear his own weight as well as the weight of the child, demon Trinivarta fell on the ground and met his fate. His took his original form after the death and Mata Yashoda was astonished to see her child lying on the dead demon.

Episode with the Fruit Seller

According to another famous folklore, Lord Krishna went to a woman fruit seller and asked her to give him some fruits in exchange for a handful of grains. The woman took the handful of grains from Lord Krishna and put in her basket and left. On reaching home, the woman was astonished to see her basket full of precious stones and gems instead of grains.

Episode of Omnipresent Lord Krishna

Bal Gopal was very mischievous and found great pleasure in playing pranks on gopis. He would steal their milk, butter, break their earthen pots to get butter. One day Lord Krishna, broke all the earthen pots of a gopi in order to get butter. On being caught red handed, the gopi went to mother Yashoda to inform her of her son's mischievous deeds. She was shocked to see the Lord standing next to his mother; Feeling embarrassed she left the place.

There are many more popular Bal Leelas of God like the killing of demons Aghasura, Bakasura, brothers of demoness Putana . Mata Yashoda tying Lord Krishna with a rope but each time the rope would fall short by a few inches is another famous episode of Krishna Bal Leela.

BAL GOPAL MERO MAN MANDIR MAY BAS GAYO RAAY

**************************************************

HARA KRISHNA

* Krishna Bless us all with your deviness *

Krishna the miracle maker, Krishna the soul maker, Krishna the galaxy maker

The Sanskrit word krsna has the literal meaning of "black", "dark" or "dark-blue"(Shyam Warn) ,and is used as a name to describe someone with dark complexion. Krishna is often depicted in murtis as black, and is generally shown in paintings with blue skin.
Krishna is also known by various other names, epithets & titles, which reflect his many associations and dynamic attributes. Among the most common of these are those that relate to his role as the deity of cattle herders - Govinda, herder of cattle, or Gopala, protector of cattle. Some of the distinct names may be regionally important, for instance, Jaganatha, or lord of the world, in eastern India.
Some Hindu traditions often describe varying interpretations and power to the names. For instance, commentators on Vishnu sahasranama offers detailed explanations of a thousand names of Vishnu, that also can apply to Krishna.

Birth of the soul maker

Traditional belief based on scriptural details and astrological calculations gives the date of Krishna's birth, known as Janmashtami, as either 18th or 21st July 3228 BCE.
Krishna was of the royal family of Mathura, and was the eighth son born to the princess Devaki, and her husband Vasudeva. Mathura was the capital of the closely linked clans of Vrishni, Andhaka, and Bhoja. They are generally known as Yadavas after their eponymous ancestor Yadu, and sometimes as Surasenas after another famed ancestor. Vasudeva and Devaki belonged to these clans. The king Kansa, Devaki's brother, had ascended the throne by imprisoning his father, King Ugrasena. Afraid of a prophecy that predicted his death at the hands of Devaki's eighth son, he had locked the couple into a prison cell, planning to kill all of Devaki's children at their birth. After killing the first six children, and Devaki's apparent miscarriage of the seventh, Krishna took birth. Since Vasudeva believed Krishna's life was in danger, Krishna was secretly taken out of the prison cell to be raised by his foster parents, Yasoda and Nanda in Gokul, Mahavana. Two of his other siblings also survived, Balarama (Devaki's seventh child, transferred to the womb of Rohini, Vasudeva's first wife) and Subhadra (daughter of Vasudeva and Rohini, born much later than Balarama and Krishna).
The place believed by worshippers to mark Krishna's birth is now known as Krishnajanmabhoomi, where a temple is raised in his honour.
Gaudiya Vaishnava scholars identify the form of Krishna who appeared in Mathura as Vasudeva Krishna of the first quadrupal expansion. In this form Krishna appeared before Vasudeva and Devaki without a natural birth, fully grown, with four arms and full paraphernalia.

Childhood and youth of our Kanha

Nanda was the head of a community of cow-herders, and he settled in Vrindavana. The stories of Krishna's childhood and youth here include that of his life with, and his protection of, the local people. Kamsa learnt about the child's escape and kept sending various demons (such as Putna,Bakasur,Aghasura & many more) to put an end to him. The demons were defeated at the hands of Krishna and his brother Balarama. Some of the most popular exploits of Krishna center around these adventures, such as the lifting of Govardhana hill and his play with the gopis of the village, including Radha. The stories of his play with the gopis became known as the Rasa lila and were romanticised in the poetry of Jayadeva, author of the Gita Govinda.Kaliya mardan was one of the best lilas our bal gopal played ,He danced on the 5 hooded Kaliya naag & later provided him abhay.

The Kurukshetra war and the Bhagavad Gita

Krishna was cousin to both sides in the war between the Pandavas and Kauravas. Once battle seemed inevitable, Krishna offered both sides to choose between having either his army or simply himself, but on the condition that he personally would not raise any weapons. Arjuna on behalf of the Pandavas chose to have Krishna on their side, and Duryodhana chose to have Krishna's army on the side of the Kauravas. At the time of the great battle, Krishna thus acted as Arjuna's charioteer. The Bhagavad Gita is the knowledge given to Arjuna by Krishna on the battlefield just prior to the start of the fighting. Baghwad Gita is the reflection of Sri Krishnas dynamic character & the golden rules by which He had moulded our cosmos.

Krishna the Moksh Provider

Following the war Krishna lived at Dwaraka for thirty-six years. Then at a festival, a fight broke out between the Yadavas who exterminated each other. His elder brother Balarama then gave up his body using Yoga. Krishna retired into the forest and sat under a tree in meditation. A hunter mistook his partly visible foot for a deer and shot an arrow wounding him mortally. According to the Mahabharata, Krishna's death was caused by a curse by Gandhari. Her bitter anger after witnessing the death of her sons caused her to utter this curse, because she believed that Krishna did not do enough to stop the war when he had the full capability to do so. Upon learning of the curse, Krishna smiled and accepted it, stating that his duty was to fight for, and protect, the righteous people, not to prevent the war.
According to Puranic sources, Krishna's death marks the end of Dvapara Yuga and the start of Kali Yuga, which is dated to February 17/18, 3102 BCE.

"THE UNIVERSE IS HIS PLAY GROUND & HE PLAYS WITH US ALL AROUND"

The above mentioned data are sourced from datahouse...thanks for sharing.

HARI